Moscow State Symphony by Ashley

The Moscow Symphony was one experience I will never forget. It really made me consider learning how to play the violin. I have to say that I really enjoyed the violin and it was great to sit right in front of their section. I was surprised by the age of most of the performers. For some reason I was thinking that they would be in their late twenties, but I guess it can take years to perfect your musical abilities. I can’t even imagine how many hours of practicing they put in to their performances. I would like to know also how the selection process is done. I hadn’t thought to ask that as the after sessions.

Meeting the renowned performer afterward was very interesting. I thought it was nice that we were able to meet a famous clarinetist from Russia. And I wonder how hard it is for them to travel to other countries, when they cannot speak the language. Once again, a skilled performer seemed very down to earth and very kind. I just thought maybe these great performers were a little more glorified, I guess.

My favorite pieces were the ones that had the entire group playing. However, I did like the soloist, but I still preferred the whole symphony. It was different that I thought it would be. First of all, I thought there would have a lot more people there to enjoy it. I also wasn’t expecting the conductor to walk off stage between every performance.
I love hearing the sound all around me. It is so much better live than it is on a radio. I will definitely go to another live symphony. So far, it was my favorite on stage performance.

Rhapsodié a la Russe by Holland

The Moscow State Symphony was a rhapsody of Russian elegance. Led by the great conductor, the famous Pavel Kogan, they brilliantly executed pieces by Stravinsky, one of my favourite composers.

I am very fond of classical music, especially string music. Closing my eyes, I like to let the music evoke images in my mind. The symphony's performance had a very unique sound. In one, I found myself travelling over Russian river valleys; in another, I was nearly moved to tears as I found myself recalling the tragic love story of Éowyn and Gríma, images of which played through my mind.

Many songs had a very smooth, romantic feel to them. I found my mind conjuring up images of one romance after another: Jack and Sally, from Tim Burton's The Nightmare Before Christmas; Aly and Nawat, from Tamora Pierce's books; Maladicta and Polly, from Terry Pratchett's Monstrous Regiment; and Daja and Bennat, from yet another series by Tamora Pierce.

By the time the performance ended, I was awash in bliss. Unfortunately, such bliss also made me a touch sleepy, but that's good classical music for you. It also had to do with a rather Pavlovian response to the music, as I make a habit of using classical music to calm me down and help me sleep.

It was also very nice of the man who came to speak with us to answer my question about his instrument, when I asked how long he'd had it, remarking that my great-grandfather has had the same clarinet for over eighty years. He gave his best wishes to my great-grandfather, which was very nice indeed.

I know some people may find classical music stuffy, but as for me, I adore it.

Moscow State Symphony by Amy

When first listening to the symphony was that they were all extremely talented! In order to play the way they did, you have to have a passion for what you are doing. You could tell they were well rehearsed because it didn’t sound like a bunch of separate instruments it sounded like one. They were amazing! The one thing that I did not really like was that it got a little lengthy for me. Since I do not listen to classical music very often it all sounds similar to me. I think that that is one thing that it made it seem long. Another thing that I liked was the conductor was so into the music and you could tell that he was really feeling the emotion in the music. Watching him get so into it made you want to get into it and experience what he was feeling.

My favorite part of the evening was talking to the performer after the symphony. Having a translator there was really neat, because I had only ever seen that on TV. It was surprising to me at how knowledgeable the clarinetist was on the history of Moscow State Symphony and its conductor. I guess when you have a passion for something you want to know everything about you can. Even though we could not speak directly to him, you could tell that he was doing exactly what he wanted to be doing; playing the clarinet with some of the most talented people.

Even thought the evening might have gone a bit long for me, I did thoroughly enjoy it. These people are giving their heart and soul to us through their music and I respect that. You could tell that evening that they were giving us everything they had and that hey weren’t holding back. That’s what made the evening a wonderful experience for me.

Moscow State Symphony by Anna

I thought that the symphony went well. When all the performers came on the stage I noticed that they were all in uniform, wearing black. I thought that was neat. It amazes me on how many people are in this and the different age groups that there are. In the program it said that they perform 20 to 50 concerts abroad each year. It also said that this orchestra is the only Moscow orchestra, and on December 20, 1993, the Orchestra celebrated its 50th Anniversary. I read that the conductor, Pavel Kogan, is one of the top conductors in Russia. I thought the soloist Stefan Jakiw did very well also. I can’t believe that he can play so long like that without reading any music. He had to memorize that whole piece. That amazes me. He’s been playing since age 4 and is recognized as one of the most talented artists of his generation and that doesn’t surprise me after hearing him perform.

I thought the conductors way of conducting was different and I wasn’t really able to follow it, but the orchestra obviously could so I guess it really doesn’t matter if I can’t follow it. He was very into his conducting and was emotional in his facial expressions. He seemed very proud to be able to play encores for us. I personally enjoyed the encores more that the other pieces that they performed. They were more upbeat, fun, and unique.

After the show, I thought it was really cool to be able to listen to one of the performers speak Russian and hear it be translated. That was a neat experience for me to take part of. I learned that instruments were a lot more expensive that I thought. I think he said that his clarinet was around 3,000 dollars. That’s a lot of money for an instrument in my opinion. I enjoyed the symphony and I’m pretty sure everyone what was listening wishes that they could play as well as they do.

Moscow State Symphony by Elisa

I really didn't enjoy this performance that much. I thought the music wastoo slow and it went way too long. I guess I'm not a big fan of orchestramusic just because I never really grew up with it at home. I haven't learnedto appreciate it...yet. I actually liked the encore pieces more than Ienjoyed the regular program. The encore pieces were more upbeat and short.

Moscow State Symphony by Aimee

The Moscow State Symphony was far from what I expected going into the show. Over the course of my life I have attended numerous symphonies ranging in prestige, and this was the first that I was truly able to appreciate. I can remember going on a field trip to see a symphony in the fourth grade and enjoyed the scenes that appeared in my head as the music went through crescendos and varying tempos. This is something that I still experienced at this show, because the music was so rich in emotion and passion.

One of the things that surprised me about this orchestra was how much they have traveled all over the world. They are world-class musicians and it was a delight to enjoy their musical gifts first-hand. I played violin for a very short time in elementary school and even that little experience made me appreciate the violinist’s skills immensely more. Stefan Jackiw on violin was absolutely incredible. I have never seen someone’s fingers move so quickly and with such precision on an instrument of any kind. The fact that he is only twenty years old is absolutely remarkable. It is hard to imagine the practice and work that has been put into developing his skills as acutely as he has. Another surprising aspect of this performance was the arrangement of the musicians. The fact that Jackiw was playing at the front, standing, was something that I had never seen before. He was well placed because it gave everyone in the audience an opportunity to experience his deftness with the violin, rather than if he had been first chair.

Pavel Kogan as a conductor was simply marvelous. He had so much passion for what he was doing and the audience could tell he really enjoyed it. Many conductors I have seen have been cold and withdrawn from the audience. On the other hand, Kogan made the audience feel like a part of the show, not just a group of spectators. As the company would finish their pieces, his entrances and exits on the stage had a comical air. Also, the additional pieces performed at the end had an energy and vivacity that set them apart from the rest of the show. These were my favorite performances because they seemed less formal and incorporated the use of instruments that had not been prominent in the pieces previous. These aspects of the Moscow State Symphony made it a rare experience unlike anything I have seen before. It was a pleasure to see this world-class group of musicians and artists and I hope to remember this experience for the rest of my life.

Moscow State Symphony by Jo

The stage is set. Different colored banners splaying names of several European cities hang from the rafters above the stage. Hideously distasteful wood paneling comes together in imperfect angles to form makeshift walls. Chairs are placed in a heliocentric arc around the conductor’s box. Following a brief announcement, musicians file out one by one and calmly take their seats. The conductor takes his place on the stand and signals his players to warm up their instruments. Inharmonious and chaotic noises leap out of the instruments and ricochet around the room, exciting the awaiting audience. The sounds come to a filtering halt at the conductor’s cue. He proceeds to say something quietly to the performing group, counts off the beat, and with a quick swipe of his baton the show begins.

Fingers work as prancing spiders upon violin strings while a smooth bass line moves the piece along. The piece is engaging, and the musicians are enthusiastic while maintaining stern composures. Their muscles push and retract their bows like swords in a pirates’ duel. Fiercely emotions are pushed into the instruments only to come out the other side as images and colors that dance around the theatre. Their sharp and bounding movements combined with the animation of the music bares resemblance to that of The Triplets of Belleville.

The conductor’s spasmodic movements and dynamic activity are truly comical. He resembles a charismatic mime, coaxing his musicians to embody the piece. The small amount of hair remaining atop his head flies up and down with his quick, agile motions. His movements are as a crazed puppeteer, pulling and tugging at the strings of his little marionettes to create a fanatic spectacle.

The performance decelerates and glides into a lull in which it is very hard to pay attention to matters of the stage. The mind begins to drift and notice things elsewhere. As Mr. Horner dozes lightly besides me, I realize that every man on the stage could be a Peter. But, as expected, I am mistaken. I realize there is one who looks to be a Charles. Suddenly, my eyes are averted. One of the musician’s pant legs had moved just slightly so that he was showin’ some skin in the shin-vicinity. This stark contrast between the pasty whiteness of his leg and the all black attire sported by every musician was quite an amusement. While I made these keen observations, the orchestral music proved to be a delightful and enchanting background.

The audience is aroused back to consciousness as the performance comes to a close. Following three brief but exaggerated encores, the afternoon has finally ended. Even though it wasn’t always the music keeping my attention, the whole of the experience, if I may be so quaint, was simply a marvel.

Moscow State Symphony by Jasmine

The theater dimmed, the musicians took their places, and the beautiful music of the Moscow State Symphony began. Through its fantastic sounds ranging from low, quiet beats to loud, striking chords, the Symphony brought together voices, landscapes, and emotions. Conducted by the famous Pavel Kogan, its extraordinary music meshed of a variety of sounds and instruments, relating to the audience the strength, pride, and sensuality of Russia.

This performance was the first orchestral show I had ever seen, and it evoked something in me I had never experienced with music before. Throughout the show I kept attempting to decipher the meaning behind the music. I wanted to find out if, perhaps, a stormy, low chord signified anger, or perhaps fear, or even a cold conflict. When I heard light, high notes, I wondered if the piece sang of love, a tinkling waterfall, or a light-hearted dance. I found this particularly interesting, irritating, and somewhat frustrating, for whenever I pictured one image the mood of the piece would change and leave me again blank, and questioning.

These images persisted, and towards the end of the show I realized that the majority of these ideas had animated characteristics. I remember thinking to myself, “This music would work wonderfully with Disney cartoons!” I believe that this power that music has in making one see such images makes it such a magnificent blessing. Every note heard expresses a mood and in turn creates an image, giving the audience not only an auditory presentation but also a mentally visual show.

The Moscow State Symphony, as my first experience of orchestral music, was an amazing performance. Although I’ve never been musically talented, I appreciated the skill and perfection these artists worked with. Furthermore, the immense amount of teamwork associated with such a feat was astounding. I will always remember the perfect harmony of the orchestra and the amazing soloist, and I will forever appreciate the realization the performance gave me of the compelling power of music.

Students enjoy hearing about the orchestra from the principal clarinetist.

Moscow State Symphony by Madeline

Although I’ve never been much of a classical music enthusiast, I still enjoyed the performance by the Moscow State Symphony very much. The conductor’s obvious energy and passion for the music was interesting to watch, and I liked watching the other performers also. (Since we were seated so close to the performers, I could only see the first few rows) The violin soloist was incredibly talented and fascinating to watch, but I can understand why people didn’t really like the piece he played when the composer first wrote it. It started out fine, but then there were multiple false endings, where the violinist would draw out the notes (excruciatingly high notes, too) to make it sound like the song was ending, even though it wasn’t. He did this several times in a row, and it got tedious. The multiple encores were also amusing, as it was obvious after the second encore that the audience was not really in the mood for any more music but kept clapping because the performers simply would not leave the stage. Despite this, all the pieces performed by the musicians were very beautiful to listen to, and I enjoyed the show very much.

Moscow State Symphony by Hannah

When I was preparing to listen to the Moscow State Symphony, I really had no idea what to expect. I had never been to a professional orchestra concert before. Frankly I was kind of freaked out when I saw that there were only 3 pieces being played. I wasn’t sure if it would be able to hold my attention. To my amazement, the concert held my attention for the whole 2 hours or so that it lasted. As the concert started I couldn’t figure out exactly why this orchestra was anything special. They had a nice sound, but it wasn’t anything spectacular. Towards the end of the first song I was starting to be more and more impressed, and then came the second song. The violinist was the most amazing solo instrumentalist I have ever heard. He put so much emotion into each note he played, it just captivated me. Minutes flew by fast as his fingers danced across the strings and before I knew it the song was over. This was a 45 minute song. I would definitely have to say that the 2nd piece was my favorite. I don’t think I have ever been so moved as I was right then. I don’t even know how I would begin to describe the experience to someone who hadn’t seen it.

My least favorite part was probably just the fact that at the end, the conductor added 3 encore pieces to the end. I certainly enjoyed them but I was also ready to go home so it was a little annoying when he kept bowing and shaking people’s hands. I almost thought it wasn’t going to end and he would keep adding more and more pieces and people would still give a standing ovation. But it did end, and afterwards the discussion was a little less informative and interesting than the others have been. It was fun to hear the lead clarinetist talk in his native language. I think all in all this performance has made me appreciate classical music a little bit more. It is definitely more captivating live than a recording. I think that also has to do with the fact that you can see the instrumentalist’s facial expressions and watch the bows go up and down in unison.

Moscow State Symphony by Courtney

I had been looking forward to this concert ever since I was accepted into Onstage and the wonderful musicians and composer didn’t let me down. In the first song my ears heard the most accurate representation of water I had ever heard. I could visualize the water trickling and flowing from a mountain brook. As the song continued the water took on a fearful form, that of an angry tempest rather than a bubbling brook. Then as the song ended I was once again reminded of the soothing calmness of a trickling, mountain spring, but what also came to mind was what I thought nymphs would sound like. The light and sweet sound reminded me of an enchanted forest.

The second song pulled before my eyes Tom and Jerry. The music made me chuckle a bit, because it sounded like a cat and mouse game. The cat tiptoes to the corner, then stops and looks, the mouse is minding its own business, and the cat continues its hunt on tiptoes and so on... The third song was one that had me lost in my own thoughts. It reminded me of leaving one’s homeland or a place one most loved. I thought of when I left Greece, and my family there. Although it is a sad memory there was still hope in returning to my life back in America.

This performance was my first ever instrumental concert other than those I have attended with a particular theme, thus restricting my ability to create my own images. For example I have listned to James Bond instrumentally but my mind already associates images with those certain sounds. With this concert I learned how powerful music is all by itself, without visuals. If there is no visual such as in musicals, operas, movies, TV ads, TV shows, then one’s mind creates and image to accompany the sound. That is an amazing characteristic of plain, old, instrumental music. It has the power to evoke moods, emotions, and pictures in one’s mind. I thoroughly enjoyed the concert like I knew I would, but I also learned a great deal about the affect instrumental music has on me.

Moscow State Symphony by Brittany

This performance wasn’t one of my favorites. Not only was it extremely long and in a way monotonous, but I just didn’t find it to be to interesting. Don’t get me wrong the first ten minutes or so I found the piece to be interesting, however after we got more and more into the pieces they almost seemed to morph into one long, continuous, lump of music. I think if each of the individual pieces hadn’t been so long it could have, and would have been more enjoyable.

I did however enjoy the encore pieces, they more depth and interest to them compared to the rest of the music. Though I would have enjoyed one extra song as an encore five or six more of them were just too many. Then the way the conductor continually left the stage, I don’t understand why. Unless he was trying to show how the symphony was able to function with out his help. Which in my opinion doesn’t make any sense, and I think he cause himself to take away from the musical performance by continually drawing more attention to himself.

My favorite part of the night by far though had to be when we were able to speak with on of the clarinet players. The fact that he only spoke Russian was really interesting, I really enjoyed just sitting and listening to him speak. He helped us understand a lot about how life in a symphony works and what a day of travel is like for them. He also gave us some more information on the background of the Moscow State Symphony and Pavel Kogan. The last thing about this performance that I found interesting was the soloist Stefan Jackiw. He has so much talent along with all of the other players in this assemble but he is at lest half of their age if not a third. It’s amazing to see how much one can accomplish even early on in life if you put your mind to it and work hard, and I think he was an excellent example of this.

Moscow State Symphony by Andrew

Brilliance

Although most students around my age ranged probably thought that the Moscow State Symphony was, well, just plain boring, I had quite the opposite outlook. One of the big reasons I was motivated to submit an essay for On Stage was the Moscow State Symphony and a chance to hear them play. So, for the chance to hear such great music I was honored and excited. Beyond my normal comments about dedication and hard work that I usually give about what I saw on the stage, this time I’d like to comment about dynamics of the orchestra and the intensive playing style they employed to their incredible benefit.

Right from the start they showed themselves to be very, very well accustomed to each other and their methods. They all tuned well together and followed the lead tuner very precisely. Of course, throughout all of this tuning I was wondering where the conductor was. Then he came out with a very brisk walk that just told the audience: here I am, the conductor and leader! Then he proceeded to the podium and got right to work, and oh-boy, what a job he did. As soon as he started I could tell that this conductor either knew what he was doing, or was having a heart-attack. I finally decided on the prior, and that he was very dedicated and quite intensely involved at directing the movement of the band. Of course I was never quite sure if he wasn’t having a heart attack though all of the motions that he went through. His hands and bodily direction would change at a moment notice and in the brief moments that I saw this face, I could actually see his eyes have a great deal of passion and intensity. Of course I can’t just ramble about the intensity of the director without speaking of the amazing form of the band. They had “perfect” posture and amazingly played well together. When the director made the motion to quiet down they all brought it down so well that I could hardly tell if they were all playing or not! This dynamic playing and directing ability made them a delight to listen to!

The other part that I want to talk about is the actual songs played. A very nice balance between intense and very up-tempo, to slower and more emotionally charged. The tempo variance made you constantly aware of changes in the songs emotion and brought out, in my opinion, the very best and most thorough possible quality of each sound. Each change in dynamic was precise and every time they did change in dynamic you felt as if you were being elevated into a new section of piece. These various changes in dynamic and tempo made each song extremely unique and captivating to listen to. They masterfully brought together some of the hardest pieces I had listened to prior to coming to listen to them (I do listen to orchestral and concert style music on my own time) and made each piece speak to me. Albeit though, the most amazing part was the thunderous applause (a bit of a cliché phrase) that accompanied their completion of their announced pieces. We applauded so much so that the conductor came out not once, not twice, but three whole times to give us encore pieces that were short, sweet, and very, very energetically charged in tempo and dynamics. Each of the encore pieces simply fueled the fire for an even greater applause and, to my enjoyment (and the moans of some of my fellow On Stager’s) another great symphony!

As you can no doubt tell, they played some of the most accomplished music and did so quite masterfully! Each and every minute of their play time was sheer enjoyment, waiting to hear what spin they took on their next measure or piece. The intense movements of the conductor showed (my common highlighted theme) dedication and a passion to be rivaled. The orchestra played brilliantly and no doubt received just as much enjoyment from playing these pieces as we did watching and listening to them. It was also an instructional night as I heard the timpanist on several occasions and made out what he was doing and how he was playing (such as with his rolls, starting with the loud first strike to maintain resonance in the timpani, and then maintain that resonance with repetitive strikes). It is with those reasons that I believe that the Moscow State Symphony was on the best groups I have had a chance to listen to, and an astounding first time to the orchestra for me. I simply can’t wait until I can listen to some more live orchestral organizations, and hopefully, the Moscow State Symphony again.

Moscow State Symphony by Cherith

This performance was one of the most polished presentations we have seen so far (in my opinion). I have great respect for the musicians and regard for their excellent skills, but I did not personally care for the performance.

I have no classical background, don’t play in an orchestra, or listen frequently to Classical music, so I didn’t know what to expect. What I discovered was that the style was not my favorite. It was also a very long performance. A very, very, very, long performance. There lies the contrast with the other performances I have seen. In Aida I was mesmerized hoping it wouldn’t end, quite the same with the Taiko. The Symphony has no such affect on me.

I did however really enjoy the time spent with the member of the orchestra. That was probably my favorite part of the experience. The information he gave us was relevant, and was something we could apply to our lives. He very graciously answered questions (even silly ones). His accent was super cool.

The experience was very educational for me. I was exposed to something that I had not been much exposed to before. I discovered my feelings on classical music, and my distaste for very long performances. I got to base these opinions on a very well regarded Orchestra.

Moscow State Symphony by Elizabeth

The Moscow State Symphony was my first experience ever seeing a symphony. I had no expectations going into it, but I found it to be very entertaining and enjoyable.

This performance allowed me to experience classical music in a new way. By watching the performers I could tell how much pride was taken in each piece. When I saw the soloist perform the whole piece by memory it helped me to realize all the work that goes into making each piece. Not only the soloist made me feel this way, the performers' smiling faces after the success of a piece also proved how much work is put into each piece.

The discussion beforehand gave me small amounts of background information that didn't help me much during the performance, but the clarinetist that talked to us afterward gave us good information about the composition of the symphony. This information was helpful because he described his experiences in the symphony. I found it most interesting to hear about how the older and younger members help each other.

Although my overall experience of the symphony was good, I think that by arranging the pieces differently the performance could have kept my attention better. The first piece was a good introduction for the show and it got my attention.. By the middle of the second piece my interest was almost gone and I had to force myself to pay attention. After intermission I was more attentive during the third piece. This may have been because of the break, or because it seemed shorter than the previous selection. I feel that if the two shorter selections were performed before intermission, and the second piece was played after, I would have been more attentive during that piece.

It wasn't the selection of music, or the quality of the symphony that made the experience for me, but it was the way the performers reacted to each piece. The Moscow State Symphony gave me a new appreciation for classical music.

Moscow State Symphony by Autumn

When thinking about the performing arts, symphonies do not seem to stand out. It seems as if a lot of people are not into classical music as much as they are into the more modern styles of music like hip-hop and rock. Although, if the number of people and the vibes coming from the audience of the Moscow State Symphony was seen, it might be thought otherwise. There are more people into classical styles of music than one might believe. The Moscow State Symphony can change thoughts on classical music and can be learned from.

I have always enjoyed listening to classical music, but I have never heard anything like this before, especially in person. It is a very different experience listening to it at home and hearing it performed live right in front of you. Before going to the symphony I did not think there were that many people out there who enjoyed listening to classical type music. Although, after seeing the response of the audience and the number of people, it completely changed my mind. There was such a good response that the symphony played more songs than were in the program. My thinking on classical music changed tremendously. I realized that there were a ton of people who enjoy classical types of music. I also realized that I liked classical music a lot more than I thought I did. I think that people who claim not to like classical might change their mind after seeing
this performance.

Not only can the symphony change your thinking about classical music but you can also learn from it. One thing that I learned from the speaker after the show is that playing an instrument is something that you can do your whole life. The man that spoke with us had been playing for almost his whole life. I believe it was around 40 years or so. There are so many things you do in your earlier years that you can not always continue doing; like sports such as football and gymnastics. But with playing an instrument one is never too old to continue playing. Which is what a lot of the people in the symphony have done. Also, someone can start learning at almost any age. Playing an instrument can be a life long hobby or career.

Another thing that I learned from the symphony was about the violin. I knew a little bit about the violin from when I played in 4th grade. And I still learned more about it. From what I knew, although I stopped playing because I could not read music, I would never have guessed it could be so unique. The soloist, Stefan Jackiw, showed me just how unique the violin is. I did not know it could be played so intricately. I think if I would have known when I was in 4th grade I would not have quit. Stefan was really an amazing violinist and helped me to see how amazing the violin can be. I just didn't realize all the different sounds and varieties you could achieve from the violin.

Symphonies now stand out in my mind more than ever before. The Moscow State Symphony was received so well and was really amazing. Not only can the Symphony change someone's views on classical music, but it can also teach us different things.

Moscow State Symphony by Kendra

After the reading about the Symphony, it was what I had expected. I expected it to be very classical and well preformed and it was. It was a little longer than what I expected.

My first impressions were that theses performers must have to be very dedicated and practice a lot of hours to be so talented at what they do. I left with the same impressions. There were parts of the symphony, that were very pretty and it was amazing how much passion the musicians had.

I don’t really like classical music very much, but some parts of this performance blew me away. Especially with how much energy they played with. I liked the man who played the violin solo, he was very talented. I have to say though that I didn’t like all the encores that kept going on and on. I think that one would have done the job.

I would describe this to my friends as being well done, a lot of passion, and if it is your sort of thing that you like then you should go and it is worth it.

I really enjoyed the speaker afterwards, even though he only spoke Russian and we had to have a translator, it was still really neat. The question and answer time with the performers is always my favorite time. He said that he had been playing for about 40 years and had done lots of traveling with the Moscow State Symphony.

I really didn’t learn anything about myself from this performance, but I think that it is always good to listen and try new things even if you don’t particularly like them.

Wonders of the Moscow State Symphony by Haema

Three encores, amazing soloist, and jaw-dropping musicians are only a few bits from the incredible performance by the Moscow State Symphony. The gorgeous melodic sounds that came out of the orchestra astounded me, because I have never heard any orchestra that fantastic before. In fact, it feels like anything I will write will not seem to encompass the beauty that the orchestra played with.

There were numerous factors to the performance that made it so wonderful. Before the concert began I already had been informed that any Russian orchestra one could hear would be phenomenal. I looked ahead at what the group was performing and talked to my flute teacher about it. She informed me about the second flute and first flute duet at the beginning of the very first piece of the concert, The Moldov, which was supposed to represent waves in the water. Thus, when the piece began with the flutes I held my breath with excitement and could see nothing else but the waves of the river.

As I was absorbing the music of the evening, I wondered about the solo violinist the orchestra was to feature. This thought did not come soon enough, because in the next item the amazing violinist, Stephan Jackiw, performed. Never, in my life, have I heard such gorgeous sound from a violin. I have never been fond of the high notes in a violin, but in this performance the high notes were extremely beautiful. My astonishment with Jackiw continued throughout the piece; how he memorized a whole concerto, how young he was, how much he has achieved in music, the difficulty in which he played, and how he seemed to make the violin sing. When I think about it even now, it seems inconceivable.

When the show came to an end with the final piece I was speechless. The show was marvelous no matter how one could look at it. However, the end had not come yet. An encore was given, a short, sweet march, but, once again, the end had not reached. As the audience clapped enthusiastically, me included, a lively Spanish piece with the percussionist masters using castanets was performed. The audience didn’t want it to end yet. As the director conducted the last encore he quite calmly strolled off the podium as the orchestra continued to play. Being a musician myself, I know this is one of the most challenging tasks, to play without a conductor shows an immeasurable amount of precision, talent, and cooperation. The conductor ambled back on stage to finish the wonderful performance, and what a fitting end it was. The concert ended on a high note, which could not be extinguished.

As I stated earlier, even though I wrote nothing but positives about the Moscow State Symphony, I still feel that I did not grasp the total magnificent playing ability of the symphony. Without a doubt, I would see this orchestra again in a heartbeat, just to hear them play one piece.

Moscow State Symphony - Aaron

An endless amount of images come to the mind at an orchestra. The violin, trumpet, the harp, the tuba and many other instruments make endless sounds and music that make the imagination run wild. The Moscow State Symphony was my first live orchestral performance. Now it is one of my favorite orchestral performances.

The combined sound of all the instruments made the performance very enjoyable. In my opinion the violins were the best part. All the violins were in perfect sync with each other. Sometimes they played very slowly and other times very quickly. The drums added a powerful beat that increased the intensity of the show. In the first couple performances it was very clear that they were creating the sounds of two different rivers that merge into one. One river was very calm and peaceful, while the other was raging and churning. At the point where the two rivers merged into one created unique sounds. It was at full force yet still peaceful at the same time. My favorite piece was after the intermission where they played very fast. I prefer the faster pieces rather than the slow ones. Overall, the performance was spectacular and very enjoyable.

The conductor had interesting ways of leading the orchestra. He really put his emotion into it, and got very involved. His hand gestures were very forceful and strong. His conducting was a show in itself. Just watching him was very interesting. He conducted differently than how you see other conductors do it. It might possibly be because of the cultural differences, or the musical style. I also thought it was interesting how he walked back and forth throughout the show. I honestly thought that was distracting when he walked off the stage and back. I also enjoyed the extra performances that he played for us, they very interesting and different. The conductor did a great job, and there would have not been a performance without him.

My favorite part of the show was the solo violinist who was only 20 years old but was magnificent. His hard work and practice paid off. He could range anywhere from the lowest note on the violin to the highest note and create beautiful music. He played extremely fast at times. I like how he went back and forth with the entire orchestra. No doubt he was one of the best performers of the entire show.

The Moscow State Symphony was by far one of the best musical performances I’ve seen. I would go back in a second. The music was magnificent and very pleasing. It deserves a recommendation by everyone.

San Jose Taiko by Kendra

After I read the guide about San Jose Taiko, I was really excited because I think that it is so neat to see other culture’s way of expression through music. I did expect a there to be some dancing, and there really wasn’t but the drumming and music was so great that I was not disappointed to not see any dancing. My impressions from the beginning to the end of San Jose Taiko were pretty much the same; I loved it! The performers were really good at what they did and it was just neat to see them express their talent.

I didn’t really have part that I liked least in the performance, only that I was hard to sit still, because I kept on wanting to get up and dance or clap my hands to the beat of the drums. My favorite part was in one of the songs when they had all the performers out on the stage and they where all playing the drums, or another instrument. It was also amazing how much energy they had all throughout the performance. I would describe the show to my friends or family that it was so amazing how these people know when to stay in sync with each other and how many different ways they could beat a drum and make it sound amazing. I would totally recommend this to anyone who enjoys music and learning about other cultures.

I did learn that the way they learn the rhythm is all oral, they don’t have sheet music so I thought that was really amazing that they could do that. Also after the show while the performers where talking to me and all the other Onstage members, they said that it takes about 2 years of practice and learning to get it down where they are good enough to perform. I really didn’t learn anything about myself from this particular experience.

The Primal Beat by Holland

The drum. There is no culture without it. IT is the earliest instrument, and the most enduring. For me, a percussion enthusiast, I view drumming as more than just sound. It has its own language, its own syntax and grammar. Its own voice.

Taiko drumming is something that came onto the world scene relatively recently. Since then, the success of the Taiko drumming group Kodo and video games such as Namco’s Taiko: Drum Master have made it more popular. SO I knew about Taiko before I ever set foot in CY Stephens.

What I didn’t know is that there is a very physical aspect to the performance. The performers didn’t just drum, they performed acrobatics and physical feats I could never even try to accomplish. I also didn’t know about the various calls they used to mark spots in the music. And I definitely didn’t know how loud it was. The drumming seemed to echo off every surface in the theatre. It was like being inside the drums instead of in front of them.

If I was telling a friend about the performance, I would tell them of the sheer physicality of it. Of how the performers moved seamlessly from one piece to the next, and even from one drum to a neighbouring one. I would tell how, in one piece, the drummers split into two ‘teams’, each trying to outdo the other. And I would tell them how you can hear influences from every culture imaginable.

So overall, I liked the performance a lot. It was something new and exotic, yet it had things I found familiar. If a similar performance comes near here again, I’ll definitely go see it.

San Jose Taiko by Anna

I really enjoyed San Jose Taiko. I thought it was really neat and fascinating. It’s amazing how all the performers never get tired and their able to keep hitting the drums the whole time. They all looked pretty strong and I’m sure there’s a lot of training that goes behind that. I think the performers said that to train a person alone for this takes around 2 years. They also said that they do around 100 performances per year. That’s like 1 every 3 days almost. It’s amazing how much dedication goes into this art.

I also learned that most of the performers also have other jobs. That most of them have full day jobs and they practice for this during the evening after they get home from their jobs. That takes a lot of commitment. The 2 performers after the show told us about their sheet music and how they learn a certain song. You have to look at how hard to hit the drum, where it hit it, when to hit it, etc. They also told us that some of the things that they’re shouting during the performance are motivational words or cues. I found that interesting. I thought it was cool how they incorporated American style into it. They had some jazz in some pieces.

I also found it neat that PJ, the girl that was talking to us afterwards, decided to go into this because she was living in the United States but really no connection her culture. SO this art helps her to connect to her culture while still living in the United States. She said she was third generation Japanese, meaning that her grandparents were born in Japan.

Overall, I Really enjoyed the performance and noticed how into it every performer got, and how happy they were to be performing for us. They worked together very well to be in unison. It was very enjoyable to listen and watch.

San Jose Taiko by Amy

While getting ready for any performance I like to think about what I expect from it. While getting ready for Taiko I really didn’t know what to expect. To be honest, I thought it was going to be one LONG performance. This is because I figured I would get bored with a person hitting a drum over and over and over. I guess I figure “how much can you do with a drum?”. Well, I was completely surprised and taken back by how amazing San Jose Taiko was; from the very beginning I was hooked.

I was in awe of how together they were because I’m sure if they were the least bit off it would have been the difference between an okay performance and an amazing one. Even though each piece had drumming all were distinctly different. You could see how much of themselves they put in to every movement. This was not only their hobby, but their passion! Even though we couldn’t see the work behind the performance you know that they had put everything they had into it. Each movement was precise and not only did it have to be at the same time as the others, but you had to hit it with same force as everyone else. Anyone watching San Jose Taiko can see the tremendous talent of each person in the group.

Another aspect that stood out to me was the shouting. During the piece I thought that these outbursts were possibly lyrics of some sort. After talking to two of the performers it surprised to hear that they were shouting out mostly words of encouragement. Looking back to the performance it becomes evident that that was indeed what they were doing. While one performer would be doing their “solo” the others would watch intently, supporting and encouraging them along the way. To know that the group is so close makes you love them even more.

San Jose Taiko was a performance that I went into somewhat pessimistically. During this performance I definitely had my eyes opened to another culture and a completely inspiring performance.

San Jose Taiko by Becca

After I read the study guide, I expected the performance to be a classic Japanese ceremony, completely spoken in Japanese. When the actual performance began, I was very surprised by it. It was much more modern that I had anticipated and the things that they were doing looked so entirely difficult I was amazed by how they accomplished them.

I was impressed by the strength the performers had, both physically and mentally. They knew exactly when to hit their drum and which direction to move I was thoroughly in awe. They moved which such grace and composure that I didn’t expect when the performance began. When the show ended, I stood up and applauded my hear out, most in amazement and somewhat in envy at how talented the people in this performance was.

My favorite part of this performance was when each of the performers sort of had a solo where they could show off the talent they possessed. When each person was done with their solo they kind of passed the energy onto another performer form themselves. I thought that was so impressive. My least favorite part of the performance was the duet performed in the third act. Of course the people in it were very talented and the piece itself was powerful but it wasn’t as upbeat as the other performances. I thought it sort of slowed down the show.

I would describe this experience as an unforgettable evening that I would love to relive. Whether it was the powerful emotions the pieces performed possessed or the fun each act had in store, I really enjoyed this performance.

From this experience, I learned that to achieve a goal you must work at it. The performers that we spoke to after the performance have been working at San Jose Taiko nearly all their lives. Each performer had built so much muscle up in their arms I couldn’t believe it. They didn’t just decide over night that this what they wanted to do. They worked and toiled over this performance. I just hope I can be as dedicated at something I want to accomplish.

What I learned about myself after this performance was that I can reach any goal I desire, as long as I am devoted to it. I need to enjoy what I am working for and that there isn’t a goal in the world not worth working hard.

San Jose Taiko by Brittany

This was a very energetic performance that made you feel as if you were in the middle of it. From the beginning to the end it was just a never ending excitement. The way the performers were able to bring all of the aspects together of dance, music, and choreography, then not to mention they still were able to truly enjoy what they were doing. Along with these great qualities of the actual performances the way they were also able to transition from one set to another and it was so well done it didn’t take anything away from the performance.

One part I really enjoyed in the beginning was the way the show started off. Having a single person stand on that stage and beat the huge drum, it almost made your heart pulse, and then the way all of the others were able to join in. Not to mention the way the performers moved from drum to drum during their performances. They were able to jump from one drum to another and not only that but they were turning circles, and they were still able to stay together and be in time.

The choreography was amazing, the way they were all able to be together throughout all of their songs, (not only in the choreography but in the rhythms also). They didn’t just hit the drums they made something like a performance inside of a performance out it. With each drum hit it was like there was story behind it or a reason for it sounding and being the way it was.

Finally something I found amazing if not unbelievable about this type of performance is how they have the whole show memorized. Even thought they do call things out throughout the selection it still amazes me that they have the ability to do that. Plus the way they called out the moves it only added to the performance. They were able to convey so much through the ‘chanting’ and just the way they beat the drums. Also they used the same kind of drums throughout the whole show but each song was defiantly its own, and sounded nothing like the pervious one, nor the one that would follow. Overall I really enjoyed this performance and I would enjoy going back to it again if it ever came back.

San Jose Taiko by Ashley

I can't say that I had very high expectations for this producation when I went into it. I tried to go into it with an open mind, but for me, I just really couldn't enjoy it. I think it was because I don't have a lt of background with percussion, not because it was not well done. All the pieces blended together and I didn't have the ability to pick apart the aspects that others around me were hearing. I have to say when they added the flute I loved it.

I thought the second half was great, however I don't really know why I preferred that section over the first. I thought the actors seemed to have more fun with it and it wasn't as serious as the first act. I think if they would have started it out with the last piece in the first act, which reminded me of the playful and happy hobbits, I personally would have enjoyed it more. I thought the background information on the piece was not as interesting as Aida, just because I don't enjoy that kind of music.

I have very high respect for those performers who have all that memorized by learning it from song then playing it on the drum. This took great physical endurance and strength to do what they did for two hours. I have to applaud them for the parts that were choreographed and synchronized so great. You could also see how well this group got along on stage by them interact, it was fun. I understood it a lot better after the performance and learned how much time and the skill it takes to do this. And once again, all the performers seemed down to earth and did have lives out side of this group. It does surprise me when they said they have regular jobs and then after their jobs they go practice for a few hours. That takes so much dedciation and hard work. I foun it interesting that what they were saying on stage was just encouraging words. For me it was weird and out of place. I just don't really understand why they are saying that during the music, it's all most like a sport.

Overall, I did like the performance, but cannot say I would go see this type of performance again. I would give it a four out of ten.

San Jose Taiko by Elizabeth

The show San Jose Taiko was a captivating performance that used a variety of visuals to intrigue the audience. Throughout the show they showed the progression of the Taiko in the past thirty years.

The opening to the show set the mood and taught the audience what Taiko is all about. The first half of the show did a good job at showing more traditional Taiko. It was apparent by their movements and by what was said after the show that these songs were very meaningful. Without the discussion afterwards I wouldn’t have realized how meaningful the songs actually were. I think it was important to hear what the performers thought of the songs because it gave a new perspective on the importance.

Although the first half of the show was interesting, I enjoyed the upbeat second half the best. Combining modern day rock with the old style Taiko drumming made for an interesting performance. I think that it was important to show the progression of the Taiko drumming from what it was in the first half, to a more modern style. I liked the more modern music, but I also thought that there was more movement which was made the visuals more appealing. The movement came in a more playful joking manner that added humor to the show.

What made the show was talking to the performers. They were so willing to discuss and answer questions. By hearing their stories about the meaning and work behind the show it made me appreciate it so much more.

San Jose Taiko by Cherith

This was a performance that was just really a lot of fun to watch! Everyone was so excited and impassioned with what they were doing it was contagious. I liked that each song was a blend of different elements: the traditional Japanese, and many other types of music. One of my favorite things was the seemingly random yelling. While watching this performance I got the feeling that I was watching something that was very personal to the performers. It was like they were sharing their identity with me. They shared their heritage and the changes that have affected them through the years.

The style was very distinct the movements were so graceful and yet sharp. The way that the drumming was mixed with “martial arts style disciplines” really showed through. I was tired from simply watching the performance. It was so active and lively that the drummers have got to be in some pretty serious shape.

I enjoyed meeting with the Drummers afterwards. It’s amazing how much dedication and time it takes to learn Taiko. It is really admirable that these men and women worked so hard to learn their skills and learn them so well.

San Jose Taiko was something new and very different for me. I was very impressed. I had never seen music take on such an athletic front before and that was a really neat thing to see.

San Jose Taiko by Elisa

I really didn’t enjoy this performance as much as I thought I would. The performers performed quite decently, but it wasn’t as exciting as I was intending it to be. I would have rather seen a play or theatrical performance, if I had a choice. But in the end, it also was enjoyable.

I was impressed with the unity and how well the group stayed together. It was very impressive how precise and even they were…even with a group that large. The verbal commands made it more interesting and the contrast in dynamics and styles made it entertaining. The different rhythms incorporated into their performance were amazing. I was really impressed by how they had the ability to stay together.

I was also impressed by how they used different songs from other countries…like Cuba. I enjoyed the contrast between the strictly Japanese and then the Cuban piece. I was also impressed at how many different sounds they could make by just using one drum. The sound differed if they hit the drum on the center or on the edge. Also, the way they used the cymbals, flute, and gong fascinated me.

What I didn’t like about it was that some of the musical selections sounded very similar to each other. And, in general, I enjoy theatrical performances more than musical performances. Although, I do enjoy both to some extent.

All in all, I did enjoy the drumming performance. The technique was fascinating and the way their costumes added color and perspective to their performance made it even more interesting. All in all, it was an excellent experience.

San Jose Taiko by Madeline

A lot of people have this concept that drumming is the easiest of all the instruments. After all, they reason, what's so hard about hitting something with a stick in time to music supplied by the more important instruments? Having spent several years playing in the percussion section of the band, I know that this idea is ridiculous, and the performance by San Jose Taiko proved further that percussion is just as challenging as any other instrument. I was greatly impressed by the performers' discipline and endurance throughout the entire show, and I loved the way they made every movement seem both natural and perfectly choreographed. I don't think that the performers made a single stroke or took one step that had not been planned and rehearsed in advance. I loved the way they could get multiple sounds out of a single drum, and the way they blended the sounds of all the different drums to create songs that sounded great even when there were multiple rhythms competing against each other. My favorite songs were "Free Spirit," "Hayaku," and any song that incorporated the bamboo flute. I was disappointed that "Nanashi" was not performed; I would've liked to hear a song done in 7/4 time. Talking to the performers afterward was also very enjoyable; I liked learning about the costumes used and hearing about the training needed to become a taiko drummer. San Jose Taiko was a highly entertaining and energetic show, and I hope that they come back to Ames sometime soon.

San Jose Taiko by Autumn

San Jose Taiko was something very new and interesting to me. I have heard of performing arts like plays, musicals, and symphonies, but never anything like this. I really enjoyed seeing and experiencing something new. I was not exactly sure of what to expect after reading the study guide, my first impression was that it was going to be boring, but I learned from the experience.

After reading the study guide for San Jose Taiko I was not sure what to expect. I knew that they were going to be playing drums and combining it with dance and movement, but I had no idea how they were going to do this. I could not picture in my head playing drums and dancing at the same time. Although I wasn’t exactly sure what is was going to be like, it was some how not what I expected. I did not think that it was going to be as energetic and exciting as it was. For some reason reading that they took ideas from traditional Japanese drumming did not sound very exciting. I thought it might be simple beats combined with simple movements, but it was much more than this.

Much like reading the study guide and getting a not so exciting idea about San Jose Taiko, my first impression when it began was the same. They started out with just one person playing one drum. I thought that it was going to stay like that the whole time, and that to me did not seem very exciting. In fact it seemed as if the whole thing was going to be very boring. Then as time went on another person came out and started to play on the other side of the drum, and eventually they built up to almost all their performers. When this happened it became much more interesting to me and I was more into the performance. By then end of the performance I had really begun to enjoy it and did not want it to end. Each piece became more and more interesting and I liked each one more than the one before. My assumptions of simple beats with simple movements was way off and proven wrong. I gained a lot of respect for the performers. Not only did they have to be able to play the whole song without music sheets, but they had to dance while they were doing it. Also the dancing was not just simple they had to be in really good shape and have a lot of endurance in order to perform the show.

From going to this performance I learned that you could incorporate your traditional culture with more modern styles. Doing this you can end up with a unique outcome. This is exactly what these performers did. They took traditional Japanese drumming and styles from other cultures and combined it with the modern things that they grew up with. Not only that but they combined all the things that they like to do like dancing and playing an instrument. I learned that you do not have to stick to one thing and one thing only.

San Jose Taiko was very new and unique to me. I really enjoyed the performance. Even though after reading the study guide I was not sure what to expect and my first impressions were that it was boring; I found it very interesting and learned from the experience.

San Jose Taiko by Aaron

The taiko has a mind of its own, and in a sense speaks to us. The taiko can be used in a number of different settings. Whether it is used in warfare to intimidate the enemy, or to just have fun and enjoy its sound. The drums were very enjoyable to listen too and had a very interesting sound. The taiko can truly move us.

The taikos themselves were very beautiful. Some were really big and others were small. The larger drum used in the beginning of the show was the neatest. I liked the deep sound that it made. It made a very low groan after the drum was struck, and it almost sounded like a voice speaking. It kind of directed and kept the rhythm of the other drums. I also like the sound of the smaller drum, which made a higher sound that added a crisp sound to the performance. The rhythm they used was very unique. Each act had a different and interesting rhythm to it. They made an assortment of sounds with just one drum. They created these interesting sounds by hitting the side, beating the drum in the center or the outer part, and brushed over the top. The drums created a peaceful and enjoyable show.

The technique they used was amazing. They could hit the drum without causing the drum to move across the floor. The drumsticks they used were not the average sized drumstick. They were much larger which probably added a different sound. Also the dancing they incorporated in the show added feeling to the drumming. In the beginning one performer danced as if she was experimenting with the drum. Sometimes they danced trying to represent the waves of the sea. Other times they just danced for fun. It took more than just the drums to make the performance complete.

Every act had a different meaning. Sometimes it described the past and present of Japanese culture and other times it explained the life around us. Words were not needed for these explanations but only the drums. That’s why the drums seem to have a voice of their own. Each act must have had much thought and feeling put into it to make it as interesting as it was.

Overall, I thought the performance was very interesting and enjoyable. The drums, the performers, the dancing, and the meaning of the show made for one great performance. This is one show that would see time and time again.

San Jose Taiko Drumming by Hannah

The San Jose Taiko Drumming was one of the shows I was most excited about going to. My mom had seen Taiko Drumming before and told me how wonderful an experience it was so I was expecting to be impressed, but once it started I was completely blown away. Never before had I seen such disciplined syncopation and choreography. Everything the drummers did was in complete unison. Their movements were so fine tuned that it was a spectacle just watching them perform. Also, before watching them, I had assumed that they would only be drumming in an ancient Japanese style. I was delightfully surprised that they incorporated many different styles into their music.

Although I loved all of the different styles they played, I’d have to say my favorite piece was the more traditional festival song “Ei Ja Nai Ka?” It was such a free spirited song and it really brought out the playful side of the drummers. I was amazed at how disciplined these people were but at the same time they were able to have so much fun with what they were doing. I was really impressed by their improvisation skill as well, being somewhat of a drummer myself. I know what it feels like to be lost in a rhythm so that it becomes a part of you. I think that this experience has taught me that although I may be self conscience while I’m performing, as long as I am having fun, that’s the thing the audience sees and is able to draw energy from.

Yet again, after the show I was surprised at how laid back the performers were. It was such a drastic change from seeing them on stage. They were just regular human beings just like me. I think that this is one of the things that I have yet to get used to. Whenever I watch someone perform I get so caught up in the performance that it seems like that is the only thing these people are, when really they’re just performing. It was really fun talking to them and learning about how they got where they are now, and how they learn the different beats by using words.

To anyone who has not seen Taiko Drumming, I wouldn’t even know where to begin to explain to them how amazing the experience is. It’s really something you have to see in order to believe. There was really no down side to this performance. My least favorite part was probably the lady behind me who smelled like liquor and cigarettes and laughed every 2 minutes for no apparent reason. Other than that, it was such an inspiring experience, and I would definitely see Taiko Drumming again.

San Jose Taiko by Aimee

San Jose Taiko is an audio explosion that cannot be expressed in a short essay. This show is an intense, high energy, mind-blowing assortment of percussion rhythms and beats that come from Japanese history. The audience is immediately pulled into the show by a unique focus on one large drum. From that point on it is a whirlwind of emotion and excitement brought on by the several performers and their fierce concentration.

Going into the performance, one might think that there are only so many ways you can hit a drum and that it would get boring after a few songs, but San Jose Taiko is far from boring. They manage to create numerous different sounds using only a few different types of drums and I was continually surprised by the new tones emerging from the same instruments.

Not only does this show have unique qualities in terms of audio, but the energy and emotion portrayed is remarkable. With no speaking or singing, the focus is completely on the sounds made by the drums and the choreography of the performers together. The emotion is raw and you can tell by their facial expressions that they thoroughly enjoy what they are doing. The performers are having fun and portray an unbreakable bond of unity through their synchronization and similar passions. Upon reflection, it is mind-boggling how much passion is portrayed just through the deep tones of the drums and the expressions of the performers.

One of the most amazing aspects of this show is the harmony of the players on the stage. They are completely synchronized in where they hit the drum, how hard they hit it, which hand they use, how high they lift their hand, and any other aspect of percussion. I cannot even imagine how difficult it would be to train every performer to be in perfect time with the rest of the group. Although it was mentioned that it takes about two years to train each performer, it would take longer still to get them perfectly attuned with everyone else in the group. To participate in this show it must take immeasurable endurance and strength.

Overall, San Jose Taiko is a rare spectacle. The performance is electric with human passion and musical skill. This show is like nothing I have ever seen, uniquely telling stories of Japanese history while still ringing true and relating to modern audiences.

San Jose Taiko by Andrew

San Jose Taiko – Rhythm and Journey Tour
Cultural Drum Experience of Japanese Style

From the first moment when the largest Taiko was played you could see a very large amount of dedication and hard work placed into how they went about their pieces. From the movement of the body to the shouts of support and encouragement we could all see the highly skilled and trained San Jose Taiko company burst out some of the finest rhythms and beats. Not only did they manage to capture the essence of the music they played, but they also managed to capture the essence of the drums and the array of other instruments that they brought forth, to our great pleasure. It is because of this, that the experience with the San Jose Taiko was both a thrilling and educational opportunity.

With the lights turned completely down in the entire auditorium little could be seen on stage until the lone sound of a lone drummer was heard beating on the largest Taiko drum. As my eyes adjusted more to the darkness I could make out what I thought to be a very interesting method and technique. The drummer was hitting the drum not with brute force, but with a glancing motion. This motion was so fluid and natural that it was apparent that the dedication to their art and the skill exhibited from this lone drummer could only set this precedence for the rest of the show…a spectacular one. As they continued on, I could only wonder and watch in amazement as they kept intensely fast rhythms with ease and was awestruck by the impressive sounds and movements they managed to commit themselves to around their drums. The snare drum(ish) instruments that were played were played so quickly and effectively that I was aghast at how they managed to continue on. From my own experience as a drummer I know that one can only keep such a fluid and quick motion for a short amount of time, but they managed to keep it the entire time! Even beyond this you could see the broad strokes they used on the smaller Taiko drums to produce a such a wonderfully unique sound that carried and meshed with the other drums to produce what would seem to be a music from a score of woodwinds or brass instruments. It is for these reasons that their dedication (which looks like it will be a reoccurring theme with every group we see) can be seen as an amazing display of talent and determination, one that thrilled us all.

By far though I was most surprised by the array of sounds they managed to assemble from just the drums. Never before had I seen such a well managed group of sounds and rhythm that made me tap along on my legs as I was engulfed in the beat. They showed us all what a different cultural sound could produce, and that it might be different from what we are used to, but still very, very good. The songs varied from being very solemn (such as the duet with the Bamboo Flute and the Gong-like cymbal) to very lively and upbeat (the last arrangement comes to mind). As varied as the songs were, they also had an even more various amount of shouts and cheers they used to…well cheer each other and offer support to each other. They would holler back and forth every now and then and give shouts of encouragement during solos and cheers when they had finished their solos. With all of this it is hard to imagine that they could have done any better…great music and fantastic technique that showcased dedication, but they managed to do one better by adding dancing and movement. They moved from drum to drum with such an incredible array of swiftness and rhythm that they themselves almost seemed to be instruments on stage.

With these incredible movements, rhythms, and techniques it is no wondering that they managed to capture our fascination and attention. They managed to show us a very cultural essence with a uniquely American flair and bring it to home for us. There is no doubt in my mind that each of us didn’t take something from the performance home within ourselves that night. To top this all off, we managed to glean more information from how they practiced and what they thought about the music after the performance with our own interview of two of the leading members of group. I can only hope to hear more of this excellent group and style in the future!

San Jose Taiko by Jo

A Red glow permeates throughout the theatre. There is a silence as the room waits anxiously to hear the sound of the drum. The arms of the drummer rise slowly and smoothly from his sides directly above his head. Mallets in hand, the calm movements of his arms show the strict martial arts-like discipline of his body. Against the red screen only the silhouettes of the drummer and his drum are visible. The relatively small size of the drummer to the drum emphasizes the significance of the drum in the drummer’s culture. The audience still patiently awaits in curiosity the sounds of the drum. Without hesitation, the drummer softly, slowly, and smoothly hits the drum’s head with the mallet. Expecting something louder, the audience intently listens for more. The drummer begins a soft, steady rhythm. The low, deep vibrations surround the room, centralizing the focus on the all-embracing drum. The rhythm picks up speed, cutting and syncopating as it gains complexity. The drummer, the drum his instrument, tells a story through the rhythms. With varying strengths behind the blow of the mallet, the story’s emotions flow from the drum as the intensity escalates. History, legend, strength, courage, and bravery all reverberate in the movement of the piece as the audience is entranced in the tale. Classical Japanese patterns intertwined with modern influences of blues, rock, and jazz blend together to create a sound anew. Images and colors dance through minds in the audience as the story builds in greatness. The brilliant costumes of the drummers make the story come to life as the audacity of their movements continue to astonish the audience. Building to climax, the beat is now not only being heard by the audience, but also felt. As the unforgettable show comes to an end, the audience begins to filter out of the theatre with the word taiko resonating in their minds.

San Jose Taiko by Jasmine

Before seeing San Jose Taiko perform, I knew very little about Japanese culture. Through their precise, powerful movements, I learned the discipline and passion the Japanese hold for their music. An amazing, invigorating, and inspiring show, the uplifting music of San Jose Taiko demonstrated not only the energetic Japanese spirit but also the ever-changing blending of cultures as each generation intermingles and grows.

In each of the performances the drums were used to beautifully tell a story or interact in a conversation. Using a question-answer form, all of the musicians, whether they were in pairs, groups, or alone, all responded with their parts to the whole and thus created magnificent harmonies. Although the drumming in itself was wonderful, that was all I had initially expected to hear. However, not only did I hear instruments other than the drums, I also received an incredible visual show. The amazing amount of precision and teamwork struck me. Every movement the performers made was perfectly placed, every leap was done on an exact beat, every extension of the arm and bend of the leg was made at precise angle. The amount of order and perfection these performers had truly inspired me and showed the enormous amount of hard work they had put into the performance. Furthermore, this display expressed the discipline and emphasis on self-control in Japanese culture as the entire group moved as one.

Equally interesting as the show was the chance to meet with the performers afterwards. Through listening to their explanations of the history, technique, and art of Taiko, I learned a great deal about both culture and art. For instance, I was surprised to find that, as second-generation Japanese, they had incorporated into their music the influences of rock n roll, jazz, and swing. Their explanations for things such as their costumes and drums also were very interesting. However, what I found most interesting was their descriptions of the technique needed in Taiko. The enormous amount of time they spent preparing was evident as they told us of how, as performers, they had to hit the drum with exactly the right strength so as to avoid moving the drum. They also learned their music by making it into a song, and even had different sounds for different beats! Through their effervescent characters and descriptions of their favorite pieces, their willpower, passion, and love for their music were movingly portrayed.

The amazing show of San Jose Taiko left me with a rich, vivid view of the Japanese culture. In every aspect of the performance the ethnic pride, jovial characters, and professional precision of the performers struck me. Representing the vitality and energy of the Japanese, San Jose Taiko has enriched my knowledge of both one culture and its blend with the culture of America.